Immortalized

I don’t know the women who crocheted this lace doily and antimacassar, but I think I understand something about them.

A century ago, maybe she saw a doily pattern with a wheat motif in a magazine and made it on a lark—the same impulse that has led me to make a quilted pin cushion, add a mosaic to a small box, decorate a shirt with reverse embroidery, and so many other projects. I was curious about the process and making stuff is fun. Most of the time I’m only trying to please myself, so it doesn’t matter if my creative ventures are one-and-done. 

Whoever made the antimacassar might have been more invested. Perhaps she spent weeks one winter, creating the elaborate design, a piece she’d be proud of. She could have spread a towel across the back of a chair to keep off her husband’s macassar hair oil when he leaned back for a snooze. Instead, she made something pretty. I understand the impulse—if you’re going to see it every day, why not have something pleasing? Maybe detailed crochet was her art form, like pottery and quilting are mine. 

When I told a friend about a minor project to machine embroider some muslin towels, she said, “You’re so creative.” I balked, “There are so many people who are wildly creative and talented. I’m a dabbler.” She insisted, “Say yes. And thank you.” My friend is right about me, but sometimes it’s hard to own this urge. Easy to downplay or dismiss creativity that’s expressed everyday things. 

I squint into the future and imagine someone picking up a quilt or ceramic bowl I’ve made. She or he might find a different purpose for it—cut the quilt into placemats, hammer the bowl into bits for a mosaic, or some other project I can’t even imagine. If my things get repurposed, I won’t feel disrespected at all. They were fun to make. They pleased me. They don’t have to last or be cherished like museum pieces. Maybe like me, this future creator will wonder about the person who originated it.

In the pottery studio, when I spread the doily and antimacassar onto clay and transfer the lacy patterns with a rolling pin, I’ll admire the craftsmanship, patience, and skill needed to make them. Those women and their work will be acknowledged and celebrated in mine. Immortalized.

A dish I made with another doily

Still Winter (Don’t Read This Cranky Blog)

Let’s see. It’s still winter. I’m done with it, but it’s not done with us. No use complaining (but that’s not stopping me). Weather isn’t personal. The same rain/snow/slush falls on all of us. The same ice clumps chunk off our tires. We drive the same roads that are scabby with ice or as slippery as Crisco.

Impeachment rages on and on. We know how this will end but the players must follow the script anyway.

No wonder I obsess about clay. I revel in the small personal thrill of throwing porcelain for the first time in years. Voilà! A small vessel I hope to make into an old-fashioned perfume bottle. Not to hold perfume. Just because I like the idea of them.

Maybe I’ll make stoneware wine goblets next. The sturdy kind without stems. Or stoneware tumblers for iced tea and mojitos with fresh mint. Mint that I’ll pinch from a plant in next summer’s garden.

Why not stoneware flower pots? That’s genius! When I’m not a potter, I’m a gardener. I could bring together two of my passions.

What about platters and bowls with sayings? Hmmm. I hate art that exhorts me to Live! Love! Laugh! Shut up, I think, even though I do want to live, love, and laugh. Isn’t stamping Ellen-isms into clay at odds with that? Too bad. I’m doing it.

 

I’ve been holed up in the pottery studio with my potter’s wheel spinning fast. It corkscrews my focus tighter and tighter until all I see is the lump of clay that I’m forcing to be centered. Even though it resists, throwing off stray blobs and splashes of watery clay.

Hours pass. My back and shoulders ache.

Weeks pass.

Now when I leave the studio at 5:15, it’s light out. The big wheel of the seasons is also turning. Slowly, slowly, but turning. Bringing me back to center.

 

Lost in Wonderland (or Wasting Time on Pinterest)

I was not an early convert to Pinterest. Even when a friend helped me set it up, I dragged my feet. Messing around with it might be fun, but there were so many other things I needed to do. However, when we moved to a new house, I began to see why people like the app.

At first it was strictly business—a shopping tool and resource for household tips. Our new house needed shower curtains, porch furniture, light fixtures, and a stool for the kitchen counter. The app became a good place to save photos and links for furnishings that I wanted to show to my husband.

Next, I searched for advice on nontoxic ways to clean the shower. I was immediately bombarded with pins for shower cleaning tips along with photos of gross toilets that needed an intervention. I wanted to say, “Wait, no need! I’ve already know what to do about the shower, and God help me if my toilet ever looks like that!” But like most online apps, it’s programmed to show you more of whatever you searched for in the past.

The real magic happened when I followed a few friends. They like such cool stuff—who knew it even existed? I’d never have found such amazing ceramic sculptures or incredible fiber art if I hadn’t started following a sculptor friend and seeing her pins. That led to people across the world pinning my pins. Amazing.

My friends’ pins also led me to explore in a more playful way—not searching, just wandering in playland. That’s how I learned more about jadeite glass and how to grow fragrant lemon seedlings from lemon seeds . . . in case I ever want to.

Now Pinterest is my first stop for recipes, crafts, and garden ideas. I’m not a clever person who thinks up how to make Santa hat appetizers from strawberries and banana slices, but now I can impress my friends with that trick if I ever need to.

Messing around in the quilting and sewing pins gave me a zillion ideas for projects. And I never would have seen antique sewing scissors and sewing kits without Pinterest. 

This year, when I started planning my flowerpots for the patio, I turned to Pinterest for inspiration.

What I’ve discovered is that at worst, Pinterest is harmless, but addicting, fun. I can collect eye candy and daydream (without obligation) about cool projects I might do. At best, it’s a good resource for inspiration.

Why I’m Done Deferring Joy

Recently, I’ve decided that I’m done “saving it for good.” Nothing’s too good to use. Nothing’s too good to wear. 

Mimmie’s lemonade set

When Mimmie (my father’s mother) died, I received her handpainted Nipon lemonade set. She’d promised it to me because I’d admired it for years. I also received Grandma’s (my mother’s mother) crystal goblets after Grandma died. I am pleased to own both sets—they are part of my heritage and they remind me of women I love. For 30 years, I’ve “saved them for good,” dusting them but rarely using them.

I also have dresses, blouses, and a suit I’ve saved for good, which means I rarely wear them. Too often, the clothes are too small or out of style before I need them again. I wind up giving them away—which is OK, maybe someone else can use them—but why didn’t I use them?

I don’t know whether or not “saving it for good” is a generational phenomenon. As a Baby Boomer whose parents experienced the Great Depression, I was taught that it was important to hang on to and care for the things you had, because somebody worked hard to get them, and you might not to be able to replace them if they got ruined. But somewhere along the line that practical impulse got subverted.

My special things began to assume too much importance—they had to be protected in glass breakfronts, handwashed and dried, and only admired occasionally. That’s the impulse I’m rejecting. My sons never knew my grandmothers, so the meaning and memories go when I go. If the lemonade cups get chipped, so be it. They are meant to be used and enjoyed, not wind up in an estate sale. I will think of Mimmie and Grandma more often if I use their things regularly than if the items stay in my cupboard.

Grandma’s goblets

I’m also rejecting the idea of deferring joy—that there’s some bigger better moment in the future—some truly important occasion when I should dress up or use crystal. That’s akin to waiting until retirement to travel and then having a heart attack or some other debilitating illness and not being able to go.

Instead, I’m choosing to live in the moment more—I’m not saving for a rainy day or waiting for the right time. Well, OK, I’m still saving money because, if heredity is any guide, I’m going to live a long time. But I’m spending more joy right now.

So I’ll use Mimmie’s cups to drink iced tea and sip cabernet from Grandma’s goblets. And when I show up at work in a dress or suit, my coworkers can wonder if I have a job interview, but you’ll know the real story!

Do you save anything for good? How do you seize the day and spend more joy right now?

Stuffed

Unlike Elizabeth (I’ve Never Had Something Not Burn), I have lots of stuff—a houseful of it! More than I need. But I have trouble parting with it.

I really like my stuff and so much of it has a story.

I got the 1930’s wrought iron floor lamp from my parent’s basement. Now it’s painted blue, but before that it was red, and at one time it was black. I made the small nine-patch quilt because I loved the 1940’s retro print fabric. My bookcases are filled with books that mean a lot to me. I like the mission style desk I bought and refinished years ago.  I still like this stuff.  It makes me happy to have it around. I feel at home because it’s here. And that’s just my office. 

Lurking in my office closet are piles of old writing samples and presentation supplies related the freelance writing business . . . that I gave up a year ago. I also have paper, clay, jewelry, knitting and craft supplies that I rarely use.  But I might.

Just a few of my bowls . . .

Or what about all of the bowls I own? Bowls I made years ago when I had access to a pottery studio. Bowls I bought at art fairs. Bowls I picked up in antique stores. I could dirty bowls for several weeks before I’d run out of clean bowls.

And mugs! That collection is even bigger. I could tell you where each one came from—Spain, the North shore, a friend, and on and on. I love them all, but really, how many mugs does a person need?!? Occasionally I give some away when the cupboard gets too full, but there’s still a box of mugs on a basement shelf (don’t tell my husband).

These are just my favorites . . . I have more!

The stuff I’m keeping is still good. I might need it someday.

The classy interview suit I don’t wear—the pants are kinda tight and I’m not looking for a job right now. Will it be hopelessly out of style the next time I’m interviewing or have a funeral to go to?

My box collection. I save shoes boxes and Amazon boxes so I can send cookies and presents to my family in Toledo.  Really, three or four would suffice, but I’m sure I have at least a dozen. My husband has learned to nest them so they take up less room and he weeds them out carefully so I won’t notice and squawk.

Lately, I’ve realized that having a lot of stuff can be oppressive.

I have to dust it, protect it from breaking, or store it.  Managing my stuff takes time and thought. Not just the housekeeping, but also the emotional upkeep of caring about my stuff—remembering the person who gave it to me and feeling torn when I want give it away. Deciding what to keep and what to give away is hard, so I don’t do it very often.

Even divesting myself of all this stuff will be hard. 

I’ve visited too many estate sales in which old hot water bottles, empty picture frames, spare light bulbs, rusty garden tools and other stuff nobody wants was lined up for sale next to kitschy-enough-to-be-cool Christmas decorations. But the sad useless stuff tainted my pleasure in getting a deal on some cookie sheets or a pie plate that my sons actually needed.

Recently, my sister spent hours cleaning and pricing stuff for a garage sale. It seemed like a good idea at the time, but in the end, she didn’t sell that much, so a lot that stuff went to Goodwill anyhow.

A good friend just pitched 19 years’ worth of teaching materials—all those lesson plans, readings, exercises, student samples—that treasure is irrelevant now that she’s retired. But I know she was sad to say goodbye to several decades of a profession she was passionate about.

My husband and I talk about moving to a smaller house someday. If we do, we’ll have to shed a lot of our stuff. I wish I could give it directly to someone who needs it—somebody just starting out who wants a lamp . . . or some bowls. I’d like to give my still-good stuff in a more personal way than just having Goodwill or the Vietnam Vets collect it. I wish I could hand it to somebody who will actually like it and enjoy it the way I have.  I daydream about placing an ad that says, “Come get some great, well-loved stuff—FREE!”

No doubt I’ll be sad when the time comes to move, because I’ll be shucking off an identity and lots of memories. But I hope my life will feel a lot lighter and simpler—more carefree.